As a child who read over 500 books before she was thirteen (my school curriculum was very reading intensive), there are only a handful of books that stand out in full color among the wash of other stories. Of these books, I still remember very specific moments—and sometimes, even a quote. The following three moments still spring to my mind frequently. They fascinated me as a child, and they still fascinate me as a person, a reader, and a writer today. (more…)
After seeing the trailer for Saving Mr. Banks, I suddenly found myself far more interested in Mary Poppins than I have ever been before. So I picked up the book and gave it a read. Not only that—I decided to put my English major to good use and take notes, and I found some universally good writing tips in this (frankly, very strange) children’s book. (more…)
I’m deep into my revisions for my WIP, Blessings, and if there’s one thing everyone needs when it comes to revision, it’s this: Ways to (productively) procrastinate. “What do I mean?” you ask, tossing your golden/raven/auburn/brown (sorry, brown haired people) locks. “Procrastination cannot be productive, one must simply push on! Also, have you been reading Mary Poppins today? Because I sound unaccountably British.” Yes, yes, I read the whole book in under twenty-four hours. Anyway. When I talk about productive procrastination, I mean forms of procrastination that will keep your creative juices flowing whilst requiring minimum brain cells. Bonus: All...
So some people asked me to share my symposium presentation about building myth in creative writing. Your wish is my command! Here’s my abstract: The world is not constructed simply of fact, but also of myth. The interplay between mythology, geography, culture and history is a relationship which fiction provides a perfect platform for exploring. This presentation will focus specifically on Welsh and Celtic mythology, a relatively unknown genre of myth, before exploring the ways studying the influences of myth can help create worlds in fiction. Welsh mythology is closely tied to its geographic roots, with many tales informing the...
After consuming the Mark of Athena in a matter of days, I approached my writing professor to rave about my reading experience. Since I kept talking about character voice and the beginnings/endings of chapters, she recommended I have a look at the book and think about ways Riordan wrote these elements, so that I might glean something for my own novel. She probably didn’t expect me to go through all four points of view with multicolor pens and margin notes. Writing tips below the cut! I’ve taken the first chapter containing each character’s narration and analyzed the heck out of it....
