I hope you have enjoyed these flashback entries from WriteOnCon 2018! Remember to sign up for the 2019 conference, which takes place February 8-10! In this workshop, I talk about how to find your novel’s opening — one of the hardest parts of the process, if you ask me. I give short talks, then release the viewer to do writing exercises. I also read and discuss some of examples. Early in the workshop, I ask the viewers to answer these polls. You can’t vote in them now (sorry!) but I’m including them as examples below. My YA fantasy is about a girl...
I’m continuing my theme of sharing my events from WriteOnCon 2018 (an annual online kidlit writing conference I help organize) in preparation for WriteOnCon 2019. If you haven’t signed up yet, you should! This is a recording of a live workshop I did (which basically covers the premises in my How Plot and Narrative Strengthen Stories entry). You can still follow along yourself, try out the exercises, and hear me discuss people’s entries. Questions? Leave a comment here!
As a young writer, I didn’t know the difference between plot and narrative — or how to make both work for the most compelling hook, arc, and story. Lucy Christopher at Bath Spa University was the first to sit down with me and really explain it. You need both plot and narrative hints to hook a reader. It’ll take a lot of revisions to get the balance of this right, but hooks that instantly immerse you in the story have this in common: Plot and narrative are working together. In the opening of Hugo, for instance, the action (plot) that changes everything is...
Since my WIP, Illuminate, is also the thesis project for my graduate program, I don’t have as much time as I’m used to for fiddling around and rewriting stuff. The logical response? Go absolutely crazy. Step 1: Make Character Arcs for Everyone. The Interwebs contain lots of great information about character arcs, so in brief: In the course of a story, characters will respond to conflict on an external and internal level, and by the conclusion characters will undergo some sort of change. This creates story arcs. Every book has at least one major arc. I personally like Doug Tennapel’s...
