Whether you are going the traditional publishing route or you aim to self-publish, there will be things that you can’t control. This entry is geared toward writers who want to have a career of some sort through traditional publishing, because that’s the side I’m more familiar with, but I’d love to get some tips in the comments from independently published writers! With traditional publishing, you cannot control things like: Agents’ or publishers’ interest, how much your book sells, or how much your friends’ book sells. It’s a really uncertain world, where you are never quite certain what will come of...
Even though my debut, The Eleventh Trade, will be a contemporary story, fantasy remains my true love. There’s so much room for exploration, creativity, and experimentation — and I can’t wait to get back back to it! But in the meanwhile, here are some resources I’ve found helpful that you might enjoy, too. My first golden rule of fantasy: The more real you want it to be, the more solid details you should use. I don’t mean like “the blue door that was chipped around the handle except for where it wasn’t chipped, aka everywhere else, and also it smelled...
I’m a big fan of commissioning artists to make concept art for my WIPs, especially whenever I hit a milestone. It’s a great way to reward yourself with some pretty pictures, while also paying it forward into the wider artist community. Below I’ve compiled a list of 100 artists, mostly grabbed from DeviantArt, who are pretty darn awesome. You can click the pictures to be taken to their commission information pages. I snatched talented people from a range of experience and prices, so you’ll find everything from crazy ridiculous deals to professional illustrations. Enjoy! And always check the artists’ pages to...
Sometimes, fate (or deadlines) plop a writing day in your lap. A glorious day with loads of energy to devote to your craft! When I want to make the most of that time, I use these methods to keep myself on track. It hasn’t been uncommon for me to hit 5000 or even 10000 words within 5 hours when I am intentional about the following steps. And sometimes I’m not even half-dead by the point I leave my desk! Of course, everyone has their personal style and way to get into rhythm, but hopefully these ideas can help spark some of your...
A lot of my novel-mentees struggle to stay focused on one story at a time. I get that. I mean, there’s so many other sparkly things out there to explore! That abundance of story ideas might be a good thing far down the road, when you’re churning out multiple books a year. But early on, it can be dangerous. It’s always tempting to ditch whatever piece you’re working on for the newest, shiniest idea. And that’s what you want to avoid, particularly if you’re a chronic follower of random, time-device wielding rabbits. Here are some tricks I use when I...
Ah yes, we all know the description cliché: Our hero or heroine looks in a mirror and studies it so that the reader can form a full picture of this character. Bonus points if it’s in the first chapter! Appearances can be tricky, I won’t deny that — but there are lots of creative ways to get around Ye Olde Mirror cop-out! My cheat-answer for just about any writing question is intentional details. How do you build a fantasy world? Intentional details. How do you create mood? Intentional details. How do you describe a character? Intentional details. Details help add context and reality to...
On the WriteOnCon forums this year, an interesting topic came up: How do you write when you have personal trauma(s)? Do you use them, or avoid them? I only have my own experience to draw from, and everyone is unique. Our wounds are different and the ways we carry them are different. So please take this with a grain of salt. In my young life, I’ve already had to carry a few traumas. Mine (like most) rise from situations where I (or a loved one) were incredibly unsafe, and afterward my life was entirely changed. That how my counselor defines trauma, by the...
As a young writer, I didn’t know the difference between plot and narrative — or how to make both work for the most compelling hook, arc, and story. Lucy Christopher at Bath Spa University was the first to sit down with me and really explain it. You need both plot and narrative hints to hook a reader. It’ll take a lot of revisions to get the balance of this right, but hooks that instantly immerse you in the story have this in common: Plot and narrative are working together. In the opening of Hugo, for instance, the action (plot) that changes everything is...
Things have been a little scarce here recently. Why? Among numerous other reasons (the topics of future posts!), I’ve also been helping plan, set up, and coordinate the fabulous online kidlit conference: WriteOnCon! We’ve been doing an Indiegogo campaign to help cover website costs, etc., and there’s just about a week left. Of course, it’s only now that I remember I haven’t actually talked about it here at all. *facepalm* SO HERE WE GO. (EDIT: The campaign is over, but you can still register here!) What is WriteOnCon? WriteOnCon is a three-day online children’s book conference from February 2-February 4, 2017 for writers...
Story graphics are one of my favorite parts of productive procrastinating, and one of my favorite types of story graphics is creating character concepts. I got this idea from my sister, Laura Hollingsworth, who uses it sometimes to brainstorm ideas for her webcomic, The Silver Eye. Though I’ll be using Photoshop for this tutorial, you can really use any photo editing program that lets you adjust layers and occupancy. (GIMP is a good, free alternative to Photoshop!) Step 1: Find a Base Image Find an image that basically looks like your character. This image will be at the base of your...
