So one or two things have happened in the last few weeks. And by one or few things, I mean a whole ton of stuff. At the beginning of October, my parents came to England for a series of fun adventures. We drove around because my dad considers it a personal challenge to take on as many foreign roads as possible. Bookstores were visited and historic sites toured. Our trip included high tea with my dad, which was something a little like trying to have high tea with Ron Swanson. At the end of October, my parents helped me pack up...
I’ve just published a post over on The Great Novelling Adventure about creating influence maps for your creative writing. I thought I’d take the maps I made for myself and expound on them here, in case anyone is curious. No story (or writer) is created in a vacuum. Everyone has threads connecting their creation to the wider world. Having other forces influence you doesn’t make you unoriginal–in fact, I think the way we interpret the things that influence us is what makes us unique. (more…)
The way I build worlds is by collecting cool stuff from the history, myth and people around me. I blend these details with my own imagination, and create my own cultures. Culture is a vital part to realistic worldbuilding. Normally there are a few particular cultures that interest me at a given time. I read whatever I can find about them, their environment, their traditions and their myths. The interesting details filter into the new world I’m creating (example: at one time, Venetian widows could only remarry on the stroke of midnight). In the long term, there is nothing more inspiring and challenging than visiting...
From the basics to the very in-depth, these are some of the resources I go to when I’m developing new characters. Have a look at my favorites, and add your own in the comments! 1. 25 Things About Creating Characters As a writer, creating characters is probably the most important thing you do. Get it wrong, and the story will be wrong no matter how well plotted. 2. Lessons From James Scott Bell: Characters That Jump Off The Page Readers are engaged by characters who do not always act in a predictable way. Think of how to have your character...
10. Mont St Michel, France Before dawn, when the tourist buses haven’t arrived and cats rove the alleys with bleary-eyed delivery men—that is when Mont St Michel is alive. You stumble half-asleep through its medieval streets, and in the cold and the dark it’s not a tourist trap, it’s timetravel. You stand on the old walls, look out at the treacherous marshes and watch the tide come in. At first the water hardly seems to stir, but then you look away, look back, and the ground’s vanished. When the monastery opens, and you elbow past the late-comers to an empty nave, echoing...
As with all things writing, there are about 10000 different ways to do anything. But my WIP is on a tight deadline, so I developed this technique to revise thoroughly and quickly. If you want, you can check out my outlining technique to see what I did on the front end to reduce revision. Then follow me down the rabbit hole of madness! Step 1: Get Input While Drafting. I had a workshop group for my WIP, but you can also do this with a critique partner. There are a lot of forums/blogs that offer CP services, but a particular favorite of...
Arguments are both exciting and difficult to write. It’s challenging to strike a balance, to make sure both sides are winning, and to avoid repetition. A well-written argument goes through plenty of revising before it can inflict Falcon-punch levels of pain. Below are the steps I take to ensure my arguments as tight and terrible as possible. 1. Take sides. Before you draft, ask yourself: What is this argument really about? What does Character A think it’s about? What does Character B think it’s about? Spend some time getting into their heads. In a good argument scene, both sides are a little right and...
I recently finished my first draft of Illuminate, which was very exciting! Don’t get me wrong—there is still a ton that needs to happen before it goes to agents in the spring. But there’s a thing that happens when you finish your draft: You have to start thinking about the next story. The way I write is by focusing my creative energies on one story at a time (“time” can be exclusive, or “per day” if I am drafting and revising two different projects). This means I don’t usually have a pocketful of future-stories I’m eagerly waiting to work on. As a result, whenever I...
I worked with Letter to an Unknown Soldier to create a digital memorial for WWI by asking people to write letters to the unknown soldier in Paddington Station. We had an astounding result–over 21,000 letters. And several of those were by my classmates, friends and family! Similar to the daily featured letters on the website, I’ve gathered these letters together so that you can read them side by side. One of the fabulous things about this project is how the letters talk to each other—how they enter a dialogue together. I hope that by reading the very different entries below, you’ll be encourage to think...
I have been working since the end of June with Letter to an Unknown Soldier, a project which created a digital memorial for WWI by asking people to write letters to the unknown soldier in Paddington Station. We had an astounding result–over 21,000 letters. They came from the UK, from New Zealand, from Egypt, from Iceland. They were written by prisoners, school children, mothers, and politicians (including a prime minister). At times they were sweet, at times funny, at times heartbreaking. It’s been an amazing project. This is my last week working for it. We closed our submissions on Tuesday, and...
